Reapertura de Salas de Cine, Memoria del Cinemagoing y Gestión del Patrimonio Cultural: Una Comparación Entre Brasil y Bélgica

Authors

  • Talitha Gomes Ferraz Escola Superior de Propaganda e Marketing (ESPM-Rio)

DOI:

https://doi.org/10.29105/gmjmx14.26-2

Keywords:

cinema reopenings, cinema exhibition, cinema-going practices

Abstract

This article aims to analyse two cases of reopened cinemas which played a strong part in the practices of leisure in Rio de Janeiro (Brazil) and Antwerp (Belgium) during the 20th Century. After a long period of decay, the Imperator cinema (Cinecarioca Méier nowadays), localised in Méier, a Rio de Janeiro neighbourhood, as well as the cine De Roma, in Borgerhout, a district with a strong migration background of Antwerp, have been reactivated as a consequence of partnerships between public and private spheres in addition to civil society organs. Through an etno-historical metodology, the article investigates these cases in a comparative way, observing how some ideas such as memory and cultural heritage have been used by both projects in benefit of the recovery of old places of film exhibition and cinema-going experiences.

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Author Biography

Talitha Gomes Ferraz, Escola Superior de Propaganda e Marketing (ESPM-Rio)

Talitha Ferraz is professor of the departments of Cinema and Journalism at the Escola Superior de Propaganda & Marketing (ESPM-Rio) and associated researcher at CIEC - Communication Studies Interdisciplinary Coordination of the Faculty of Communication of the Federal University of Rio de Janeiro, Brazil. She earned her PhD in Communication and Culture at the Federal University of Rio de Janeiro (2014), with a doctoral stage at Nova University of Lisbon, Portugal. Dr. Ferraz conducted a post-doctoral research about cinema reopenings at the Centre for Cinema and Media Studies of Ghent University (CIMS-UGent), Belgium, in 2015. Her studies focus on a range of subjects concerning movie theatres such as special forms of sociability and urban occupation through cinemas, cinema reopenings, memory and practices of cinemagoing.

References

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Published

2017-05-01

How to Cite

Ferraz, T. G. (2017). Reapertura de Salas de Cine, Memoria del Cinemagoing y Gestión del Patrimonio Cultural: Una Comparación Entre Brasil y Bélgica. Global Media Journal México, 14(26), 24–43. https://doi.org/10.29105/gmjmx14.26-2

Issue

Vol. 14 No. 26 (2017): January - June

Section

Articles

License

Global Media Journal México, publicación semestral, editada por el Departamento de Psicología y Comunicación de Texas A&M International University, Laredo, Texas, Estados Unidos; y la Facultad de Ciencias de la Comunicación de la Universidad Autónoma de Nuevo León, México. Editores responsables: Dr. José Carlos Lozano y Dr. Francisco Javier Martínez Garza. Datos de contactos: jose.lozano@tamiu.edu, tel. (956) 326-3117 y francisco.martinezgz@uanl.edu.mx, teléfono (81) 83294000, Ext. 7710 y 7711. Reserva de derechos al uso exclusivo número 04 – 2017- 080814012900- 203, expedido por la Dirección de Reservas de Derechos del Instituto Nacional del Derecho de Autor. ISSN: 2007-2031. El editor no necesariamente comparte el contenido de los artículos, ya que son responsabilidad exclusiva de los autores. Se prohíbe la reproducción total o parcial del contenido, ilustraciones y textos publicados en este número sin la previa autorización que por escrito emita el editor.